(Recommended) In the first few minutes of Wes Anderson's Moonrise Kingdom, the camera tracks horizontally and vertically along the cross-sectioned rooms of a house. It's one of the writer-director's signature visual tics, one that, like many of his
Moonrise Kingdom epitomizes this paradox, right from the opening sequence. It begins in a 1960s New England home filled with kitschy colors and decor—a typical Andersonian mis-en-scene. Through symmetrical tracking shots, we watch a
(Recommended) In the first few minutes of Wes Anderson's Moonrise Kingdom, the camera tracks horizontally and vertically along the cross-sectioned rooms of a house. It's one of the writer-director's signature visual tics, one that, like many of his
Men in Black III reenlists the talents of Will Smith and Tommy Lee Jones, of course—Smith with his urban sizzle, Jones with his craggy codger sorrow—and it's good to have them back, togged out in their black suits and
Whenever I throw away one of those large round plastic lids from an orange-juice jug, in my head I hear my mother saying, as she would have said to my 8-year-old self, “That would make a great table-top for a doll's house.